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Thus an actor can only communicate with actors whose addresses it has. Recipients of messages are identified by address, sometimes called 'mailing address'. There is no assumed sequence to the above actions and they could be carried out in parallel.Дecoupling the sender from communications sent was a fundamental advance of the Actor model enabling asynchronous communication and control structures as patterns of passing messages. Send a finite number of messages to other actors Дesignate the behavior to be used for the next message it receives.

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This is similar to the everything is an object philosophy used by some object-oriented programming languages, but differs in that object-oriented software is typically executed sequentially, while the Actor model is inherently concurrent.ДЄn actor is a computational entity that, in response to a message it receives, can concurrently: The Actor model adopts the philosophy that everything is an actor.

Research on the Actor model has been carried out at Caltech Computer Science, Kyoto University Tokoro Laboratory, MCC, MIT Artificial Intelligence Laboratory, SRI, Stanford University, University of Illinois at Urbana-Champaign, Pierre and Marie Curie University (University of Paris 6), University of Pisa, University of Tokyo Yonezawa Laboratory and elsewhere. Research groups led by Chuck Seitz at California Institute of Technology (Caltech) and Bill Dally at MIT constructed computer architectures that further developed the message passing in the model. Major software implementation work was done by Russ Atkinson, Giuseppe Attardi, Henry Baker, Gerry Barber, Peter Bishop, Peter de Jong, Ken Kahn, Henry Lieberman, Carl Manning, Tom Reinhardt, Richard Steiger, and Dan Theriault, in the Message Passing Semantics Group at Massachusetts Institute of Technology (MIT).

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This resulted in the full development of actor model theory. Other major milestones include William Clinger's dissertation, in 1981, introducing a denotational semantics based on power domains, and Gul Agha's 1985 dissertation which further developed a transition-based semantic model complementary to Clinger's. Two years later, Henry Baker and Hewitt published a set of axiomatic laws for Actor systems.

Its development was 'motivated by the prospect of highly parallel computing machines consisting of dozens, hundreds or even thousands of independent microprocessors, each with its own local memory and communications processor, communicating via a high-performance communications network.' Since that time, the advent of massive concurrency through multi-core computer architectures has revived interest in the Actor model.ДЇollowing Hewitt, Bishop, and Steiger's 1973 publication, Irene Greif developed an operational semantics for the Actors model as part of her doctoral research.

It was also influenced by the programming languages Lisp, Simula and early versions of Smalltalk, as well as capability-based systems and packet switching.

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The relationship of the model to other work is discussed in Indeterminacy in concurrent computation and Actor model and process calculi.ДҐ.3 Actor creation plus addresses in messages means variable topologyДҐ.5 No requirement on order of message arrivalДҐ.10 Computational Representation TheoremДҐ.15 Contrast with other models of message-passing concurrencyДЄccording to Carl Hewitt, unlike previous models of computation, the Actor model was inspired by physics including general relativity and quantum mechanics. It has been used both as a framework for a theoretical understanding of computation, and as the theoretical basis for several practical implementations of concurrent systems.

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The Actor model in computer science is a mathematical model of concurrent computation that treats 'actors' as the universal primitives of concurrent digital computation: in response to a message that it receives, an actor can make local decisions, create more actors, send more messages, and determine how to respond to the next message received. Kamapisachi Wallpapers Actress Definition Source( )

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